BIO
Anna Molins is a cinematographer with over twenty years of experience behind the camera. She graduated as a Cinematographer from ESCAC (Escola Superior de Cinema i Audiovisuals de Catalunya). Her work mainly focuses on fiction and documentary.
Notably, her collaboration with filmmaker Neus Ballús stands out. Their first project together was the feature film “The Odd-Job Men” (2021), awarded at the Locarno Festival and the Seminci in Valladolid. This feature film also won five Gaudí Awards from the Catalan Film Academy, including the Gaudí for Best Film. Another notable project is the short film “Blow!” (2023), which was nominated for the Goya Awards and the Gaudí Awards. Recently, she shot the fiction feature “La Furgo” (2025), the debut film of director Eloy Calvo and also photographed “La Peli de mi tío” (2025), a feature film directed by Natalia Cabral that was produced and filmed at Lantica Studios, in the Dominican Republic.
Throughout her career, Molins has shot several documentary feature films. Notable works include “Me llamo Violeta” (2019), which won the Audience Award and the International Amnesty Prize at the DocsBarcelona Festival, and “Kanimambo” (2012), which received the Special Jury Prize at the Málaga Film Festival. She has also worked on documentary series such as “Publio, el secuestro sin fin” (2024) for HBO Max and “La Gran Il·lusió, relat intermitent del cinema català” (2019, 2025) for CCMA.
Moreover, she has collaborated extensively with filmmaker Lyona, working on over a hundred music videos and advertisements. She specializes in stop-motion cinematography, a technique she has applied in both fiction and commercial projects.
Her experience is also connected to the Performing Arts. She has worked as a director of photography on programs that blend different artistic disciplines and has collaborated in the recording of performances by theater companies such as Dagoll Dagom, Teatre Lliure, La Brutal, and T de Teatre.
Her versatility, sensitivity, and passion for capturing moments and telling stories drive her to engage in diverse projects and experiences. She works with precision and intuition, seeking not only the beauty of each image but also its truth, so that what is seen can also be felt.